
The iconic "Murderess," the phenomenon-production first staged in 1998, returns with Lydia Koniordou in the central role of Frangogiannou, a "Medea next door," who walks once more toward catharsis, proving that true theatre, like life's mystery, "resolves without being resolved." Centered on Frangogiannou's inner journey and the suffocating social environment that shaped her, the production powerfully illuminates the timeless pathologies of Greek society: social pressure, gender-based violence, guilt and poverty of the soul.

The iconic "Murderess," the phenomenon-production first staged in 1998, returns with Lydia Koniordou in the central role of Frangogiannou, a "Medea next door," who walks once more toward catharsis, proving that true theatre, like life's mystery, "resolves without being resolved." Centered on Frangogiannou's inner journey and the suffocating social environment that shaped her, the production powerfully illuminates the timeless pathologies of Greek society: social pressure, gender-based violence, guilt and poverty of the soul.